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Technology
Nio, the Chinese electric automaker aiming to compete with Tesla, reported that it delivered 3,268 of its new ES8 vehicles in the third quarter, beating its own target by 9 percent.
The company planned to deliver between 2,900 and 3,000 ES8s in the third quarter, according to Nio CFOLouis T. Hsieh.
Nio began deliveries of the ES8, a seven-seater high-performance electric SUV, inChinaon June 28.The company reported that its year-to-date ES8 deliveries, as of September 30, 2018, totaled 3,368 vehicles. The first 100 vehicles were delivered in the last days of the second quarter.
&Growing our monthly deliveries from 381 in July to 1,766 in September demonstrates our steady production ramp, strong demand from users and the initial acceptance of NIO as a premium brand,& William Li, founder, Chairman and CEO of Nio, said in a statement.
The company, which shut down its ES8 production line for 10 days for routine maintenance and to install equipment for its second production line, warned that deliveries in October will be lower.
However, the company said it remains on track to hit its delivery target of 10,000 ES8 vehicles for the second half of 2018.
The company is planning to release the ES6, a five-seater premium SUV, in June/July 2019.
Nio, whichraised $1 billionwhen it debuted on theNew York Stock Exchange in September,has operations in the U.S., U.K. and Germany, although it only sells its ES8 vehicle in China. The seven-seater ES8 SUV ispriced at 448,000 RMB, or around $65,000.
Baillie Gifford- Co., the second-biggest shareholder ofTeslastock, owns an 11.44 percent stake in Nio, according to aregulatory filing posted October 9.
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Read more: Chinese electric automakers Nio exceeds Q3 delivery target for its ES8 SUV
Write comment (96 Comments)Niantic is one of the few companies in the augmented reality world making some actual goddamn revenue.
As such, it didn&t feel right not to have the company that built Pokémon GO represented at our one-day Sessions AR/VR event this Thursday in LA. I&ll be sitting down with the companyAR research lead Ross Finman at the event to talk about why augmented reality is so important to Nianticfuture and why AR tech can actually make tomorrowgames and apps more engaging.
The game maker struck gold with Pokémon GO, but as it looks for lightning to strike twice with its upcoming Harry Potter title thatbeing released later this year, the company has become a lot more vocal about the potential of AR tech to make users feel like the game world and the physical world are aligned.
Finman joined Niantic after the startup he co-founded, Escher Reality, was acquired by the company earlier this year. Prior to founding Escher, Finman spent 7 years at MIT researching 3D perception and mapping. There isn&t much in the augmented reality space he hasn&t directly interacted with.
We&ll chat with Finman about the challenges of scaling to a global user base some of these more experimental technologies, and what learnings Niantic has garnered from all of the success of Pokémon GO.
Final tickets are now on sale — book yours here and you&ll save 35 percent on general admission tickets. Student tickets are $45.
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Read more: Pokémon GO maker Niantic is coming to TechCrunch Sessions AR/VR
Write comment (90 Comments)The charmingly outdated media player Winamp is being reinvented as a platform-agnostic mobile audio app that brings together all your music, podcasts and streaming services to a single location. Itan ambitious relaunch, but the company behind it says itstill all about the millions-strong global Winamp community — and as proof, the original desktop app is getting an official update as well.
For those who don&t remember: Winamp was the MP3 player of choice around the turn of the century, but went through a rocky period during Aol ownership (our former parent company) and failed to counter the likes of iTunes and the onslaught of streaming services, and more or less crumbled over the years. The original app, last updated in 2013, still works, but to say itlong in the tooth would be something of an understatement (the community has worked hard to keep it updated, however). So itwith pleasure that I can confirm rumors that substantial updates are on the way.
&There will be a completely new version next year, with the legacy of Winamp but a more complete listening experience,& said Alexandre Saboundjian, CEO of Radionomy, the company that bought Winamp (or what remained of it) in 2014. &You can listen to the MP3s you may have at home, but also to the cloud, to podcasts, to streaming radio stations, to a playlist you perhaps have built.&
&People want one single experience,& he concluded. &I think Winamp is the perfect player to bring that to everybody. And we want people to have it on every device.&

Laugh if you want but I laugh back
Now, I&m a Winamp user myself. And while I&ve been saddened by the drama through which the iconic MP3 player and the team that created it have gone (at the hands of TechCrunchformer parent company, Aol), I can&t say I&ve been affected by it in any real way. Winamp 2 and 5 have taken me all the way from Windows 98 SE to 10 with nary a hiccup, and the player is docked just to the right of this browser window as I type this. (I use the nucleo_nlog skin.)
And although I bear the burden of my colleagues& derisive comments for my choice of player, I&m far from alone. Winamp has as many as a hundred million monthly users, most of whom are outside the U.S. This real, engaged user base could be a powerful foot in the door for a new platform — mobile-first, but with plenty of love for the desktop too.
&Winamp users really are everywhere. Ita huge number,& said Saboundjian. &We have a really strong and important community. But everybody ‘knows& that Winamp is dead, that we don&t work on it any more. This is not the case.&
This may not come as a shock to Winamp users still plugged into the scene: Following years of rumors, an update to the desktop player leaked last month, bringing it from version 5.666 to 5.8. It was a pleasant surprise to users who had encountered compatibility problems with Windows 10 but had taken the &more coming soon& notice on the website with a massive grain of salt.
This kind of thing happens a lot, after all: an old property or app gets bought, promises are made and after a few years it just sort of fades away. So a free update — in fact, 5.8 eliminates all paid options originally offered in the Pro version — bringing a bucketful of fixes is like Christmas coming early. Or late. At any rate itappreciated.
The official non-leaked 5.8 release should come out this week (the 18th, to be precise), and won&t be substantially different from the one we&ve been using for years or the one that leaked. Just bug and compatibility fixes that should keep this relic trucking along for a few years longer.
The update to the desktop app is basically a good faith advance payment to the community: Radionomy showing they aren&t just running away with the property and slapping the brand on some random venture. But the real news is Winamp 6, which Saboundjian says should come out in 2019.
&What I see today is you have to jump from one player to another player or aggregator if you want to listen to a radio station, to a podcast player if you want to listen to a podcast — this, to me, is not the final experience,& he explained. Itall audio, and itall searchable in one fashion or another. So why isn&t it all in one place
The planned version of Winamp for iOS and Android will be that place, Saboundjian claims. On desktop, &the war is over,& he said, and between the likes of iTunes and web apps, therenot much room to squeeze in. But mobile audio is fractured and inconvenient.
While Saboundjian declined to get into the specifics of which services would be part of the new Winamp or how the app would plug into, say, your Spotify playlists, your Google Music library, your Podcasts app, Audible and so on, he seemed confident that it would meet the needs he outlined. There are many conversations underway, he said, but licensing and agreements aren&t the main difficulty, and of course release is still quite a ways out. The team has focused on creating a consistent app across every platform you might want encounter mobile audio. A highly improved search will also play a role — as it ought to, when your media is all lumped into one place.
No word on whether it will retain its trademark intro upon installation — &WINAMP. It really whips the llamaass.& I certainly hope so.
This lack of specifics is a bit frustrating, of course, but I&m not worried about vaporware. I&m worried that other services will insist on the fragmented experience they&ve created that serves their interests better than ours. But if Radionomy can navigate these tricky waters and deliver a product even a little like what they&ve described, I&ll be thrilled (and my guess is tens of millions more will be, as well). And if not, well, we&ll always have the original.
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Read more: Winamp returns in 2019 to whip the llama’s ass harder than ever
Write comment (90 Comments)Hacked Facebook users still don&t know which 15 recent searches and 10 latest checkins were exposed in the companymassive breach it detailed last week. The company merely noted that those were amongst the data sets stolen by the attackers. That creates uncertainty about how sensitive or embarrassing the scraped data is, and whether it could possibly be used to blackmail and stalk them.
Much of the scraped data from the 14 million most-impacted users out of 30 million total people hit by the breach was biographical and therefore relatively static, such as their birth date, religion or hometown. While still problematic because it could be used for unconsented ad targeting, scams, hacking attempts or social engineering attacks, at least users likely know what was illicitly grabbed.
Thankfully, some of the most sensitive data fields, such as sexual orientation, were not accessed, Facebook confirms to me. But the exposure of recent searches and checkins could threaten users in different ways.
Given the attack was so broad and impacted a wide variety of users, unlike say a targeted attack on the Democratic National Convention, thereno evidence that blackmailing or stalking individual users was the purpose of the hack. For the average user hit by the breach, the likelihood of this kind of follow-up attack may be low.
But given that public figures, including Facebook CEO Mark Zuckerberg and COO Sheryl Sandberg, were victims of the attack, as well as many reporters (myself included), there remains a risk that the perpetrators paw through the data seeking high-profile people to exploit.
Stolen data on &the 15 most recent searches you&ve entered into the Facebook search bar& could contain embarrassing or controversial topics, competitive business research or potential infidelity. Many users might be mortified if their searches for racy content, niche political viewpoints or their ex-lovers were published in association with their real name. Hackers could potentially target victims with blackmail scams threatening to reveal this info to the world, especially since the hack included user contact info, including phone numbers and email addresses.
Scraped checkins could power real-world stalking or attacks. Users& exact GPS coordinates were not accessible to the hackers, but they did grab 14 million people&10 most recent locations you&ve checked in to or been tagged in. These locations are determined by the places named in the posts, such as a landmark or restaurant, not location data from a device,& Facebook writes. If users checked in to nearby coffee shops, their place of work or even their home if they&ve given it a cheeky name as some urban millennials do, their history of visiting those locations is now in dangerous hands.
If users at least knew what searches or checkins of theirs were stolen, they could choose if or how they should modify their behavior or better protect themselves. Thatwhy amongst Facebookwarnings to users about whether they were hacked and what types of data were accessed, it should also consider giving those users the option to see the specific searches or checkins that were snatched.
When asked by TechCrunch, a Facebook spokesperson declined to comment on its plans here. It is understandable that the company might be concerned that disclosing the particular searches and checkins could unnecessarily increase fear and doubt. But if itjust trying to limit the backlash, it forfeited that right when it prioritized growth and speed over security.
As Facebook tries to recover from the breach and regain the trust of its audience of 2.2 billion, it should err on the side of transparency. If hackers know this information, shouldn&t the hacked users too
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Read more: Worries linger as Facebook withholds stolen searches checkins
Write comment (94 Comments)No, Apple didn’t acquire music analytics startup Asaii, it hired the founders to work on Apple Music
On the heels of news of not one but two acquisitions from Apple last week, a report surfaced yesterday that Apple had picked up yet another company, the music analytics startup Asaii, for under $100 million; the report led to a &confirmation& from a shareholder in a separate report. But as it turns out, neither appear to be correct.
But we asked and Apple has declined to confirm the deal, and it gave no green light to use its usual statement — the one it often issues when smaller startups are acquired. (You can see a sample of it in this story about Apple buying computer vision startup Spektral last week, which we did get Apple to confirm.) That is, the company has not acquired the assets of the startup.
What it has done is hire a few employees of the company — specifically the three founders, Sony Theakanath,Austin Chen and Chris Zhang — who are all now working at Apple at Apple Music. (Apple has done this before: for example, it hired a team from the mapping app PinDropin the UK; at the time it was also misreported as an acquisition.)
Itnot clear if the three will be working on similar technology, or other kinds of tools to affect how music is discovered on Apple Music. Apple has already launched a beta of its own analytics service called Apple Music for Artists.
Asaii announced in September that it would shut down its service October 14 (yesterday). It also provided music analytics, but it focused on a wider picture across multiple platforms (not just a single silo like Apple Music or Spotify).
Spotify — the music streaming business that is currently Applebiggest rival — has added a number of features over the years (some built in-house, some by way of acquisition) to improve the services that it offers to artists to have more transparency on how well their music, and their &brands,& are performing on Spotify. For Spotify, itpart of a suite of services to help them leverage Spotify as a distribution platform to improve their overall business as artists.
Some believe that Spotify will continue to ramp up these services over time to take on more of the functions of a traditional label in a bid to improve its margins, and also provide more utility to artists. Itmaking those moves at a time when many musicians and songwriters have grown disillusioned with the music industry and how they can (or can&t, as the case may be) make money in it.
So it stands to reason that Apple, too, might be considering how it can build similar features into Apple Music — although the company has not confirmed that it will, nor will it be using Asaiiexisting tools to do so.
To be clear, Apple already has some features in place to help promote and understand how music performs on its platform. The beta of Apple Music for Artists, which launched in June of this year, currently provides details on plays, radio spins, song purchases and album purchases.
It also lets you look into trends around your music, control how your artist profile looks, and get insights into how and where your music gets discovered. Separately, it also provides various widgets you can use to promote your Apple Music tracks elsewhere, as well a guidelines on best practices.
But there is still a lot of ground to cover for Apple when it comes to music, both in terms of what it can provide artists as tools to improve their experience on there; and also in terms of how consumers discover and use music on the service. Both of these are potential areas that you might see getting developed over time.
Theakanath and Chen had both worked at Apple previously. PitchBook lists SkyDeck, an accelerator based at UC Berkeley, as its only investor. Meanwhile, Crunchbase lists The House Fund as its only investor, with no details on the amount raised.
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Apple is not the only tech giant to tell Australia’s Federal Government exactly what it thinks of the proposed decryption law that was entered into Parliament last month.
A private industry body called The Digital Industry Group Inc (DIGI), representing tech companies like Google, Facebook and Twitter, voiced its concerns over the Assistance and
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Read more: Mozilla and Cisco weigh in on Australia’s proposed decryption laws
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