The release of a new Terminator sequel has become a familiar ritual: The latest filmmakers acknowledge the greatness of the first two movies, then mumble awkwardly about the other sequels — which are inevitably ignored, because they assure us that this time, they&ve created the sequel we&ve been waiting for.

I can&t tell you whether &Rise of the Machines,& &Salvation& or &Genisys& deserve to be dismissed like this, because I haven&t seen any of them. (I did watch the TV spin-off, &The Sarah Connor Chronicles,& which was pretty good.) But I can say that the latest installment, &Terminator: Dark Fate,& delivers on the promise of a worthy sequel.

It helps, of course, to see the return of some familiar names — not just Arnold Schwarzenegger, but also Linda Hamilton, who takes up the role of Sarah Connor for the first time since &Terminator 2.&And then therefranchise creator James Cameron, who was apparently too busy with his &Avatar& sequels to direct (&Dark Fate& was helmed by &Deadpool& director Tim Miller instead), but who stayed involved as a producer and story writer.

Not that the story is really the selling point: The big emotional moments can feel clumsy and rushed, and some of the dialog is genuinely groan-worthy.

All the script really needs to do, though, is give us a reason for those familiar faces to be back on-screen together, and to convince us that itnot totally pointless to watch another Terminator movie. In that, it succeeds — with a few nods toward the changing technological and political landscape thrown in for good measure.

Terminator Dark Fate

Arnold Schwarzenegger and Linda Hamilton star in Skydance Productions and Paramount Pictures& &TERMINATOR: DARK FATE.&

In the filmopening minutes, we learn that Sarah and John Connorefforts at the end of &Terminator 2: Judgment Day& have succeeded in averting a nuclear apocalypse. However, for reasons that only become clear later, those pesky Terminators keep showing up.

The story proper kicks off in Mexico City, where a young woman named Dani Ramos (played by Natalia Reyes) becomes the latest target of a cyborg assassin. Her pursuer (Gabriel Luna) is an advanced model whose skin and skeleton can function as two separate bodies, and shesaved by not one but two protectors — Sarah Connor, along with a cybernetically enhanced soldier named Grace (Mackenzie Davis), plus the late-film addition of an old-model Terminator (Schwarzenegger, naturally).

There are more revelations as the story unfolds, but one of the best things about &Dark Fate& is the simplicity of its storytelling. Like its first two predecessors, it doesn&t overcomplicate the formula: Therea killer cyborg, an innocent target and an overmatched guardian; mayhem ensues.

Itin the depiction of that mayhem that &Dark Fate& excels. The film has plenty of CGI (I&d argue too much), but it feels very different from the weightless, super-powered battles that have become the big-screen norm, and even from the balletic killing sprees of the &John Wick& movies.

Instead, the action in &Dark Fate& feels like a throwback, specifically to those Cameron-directed Terminator movies, where a great deal of thought and ingenuity was devoted to coming up with all the different ways that a relentless murder machine might wreak havoc.

Hamilton, by the way, seems completely at home in these scenes. And although Schwarzeneggerperformance was gratifyingly funny and loose, &Dark Fate& is absolutely her film.

Meanwhile, I&m still a little fuzzy on the details of how LunaRev-9 actually works, but it makes for a striking and unsettling visual. The finale, in particular, offers a masterful escalation of jeopardy and destruction, as Rev-9 tears through one environment after another in pursuit of our increasingly desperate heroes — almost convincing you that this time, the Terminator really might be unstoppable.

I don&t want to overstate the case here: &Dark Fate& doesn&t quite replicate the perfect mix of violence, terror and melancholy that made those first two films so memorable. But it can hold its own in a fight.

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Why do serial entrepreneurs keep jumping back in? What things might you learn the third, fourth, or fifth time around?

To find out, Extra Crunch Managing Editor Eric Eldon spoke to Drift CEO and founder David Cancel at TechCrunch Disrupt San Francisco. Cancel has spent more than 20 years founding SaaS companies, with exits including Compete (acquired by TNS), Lookery (Acknowledge), Ghostery (Evidon), and Performable (Hubspot.)

In their thirty-minute conversation, they cover everything from finding your first customers, to what heseen change over the last two decades in the industry, to why hewilling to cut a check to employees who want to leave. Rather watch them talk for yourself? We&ve embedded a video of their chat at the end of this article.

To find what people really want, ask for money — any money.

One thing Cancel says helearned over the years: when you&re just getting started, you need to charge for your product right off the bat because you never know how someone really feels about a product until you ask for money.

&If you&re creating a paid-for product, you have to start charging from day one,& he says.

He outlines an experiment he calls the ‘dollar test,& where if someone seems interested in a product before iteven available, he&ll promise them lifetime access if they&ll hand over whateverin their pocket — be it a dollar, ten, twenty, whatever.

&What it teaches the entrepreneur is that most of the people who will tell you that they love this thing will not give you a dollar,& actionable information that can save time, money and stress. The dollar test &shortcuts things; most people will end up spending so much time coming back to you because you keep telling [them] you love it, because you&re a nice person and you don&t want to hurt [their] feelings.&

Cancel also uses this approach after a product launches, using it to gauge which new feature requests customers find most important.

&They&d say ‘I love your product, but it doesn&t do X, Y, or Z. My company is special, we need X, Y, or Z feature.'&

&Letsay they were paying us $5,000 a month. I&d say, ‘itonly going to be $20 more a month, then we&re going to build it for you and you&ll be the first ones to have it.'&

&What would happen, almost every single time, is there would be this awkward pause. They&d say ‘I have to go talk to my manager, I need to go talk to someone, I&ll get right back to you,'& he said, adding &Almost every single time that person continued to be a customer and never asked for that feature again.&

&When itfree to ask for anything,& says David, &people will just keep asking.&

David Cancel 2

Letting people go isn&t always a bad thing

If someone asks David for a recommendation on an engineer, hewilling to recommend his own employees.

His reasoning is twofold; on one side, it means he knows his teams are made up of people who want to be there; on the other, it means employees know helooking out for them.

&I want people on the team who want to be on the team. If people ask me, ‘hey, do you know a really great engineer who does X, Y, Z?'& I say ‘Eric does, and Ericon my team.& I&m like, you should talk to him. And if Eric wants to go, he should go, because we only want people who actually [want] to be there. Then that person knows that I&m looking out for the best interests of them, for them — and even if they go, we may end up working together again later.&

Similarly, if an employee says they want to leave and start their own company, David says heoften the first to write a check:

&We would attract, in the early days, people who wanted to learn how to start their own company. One of the things I would say, and I still say to everyone: Look, if you come on board, and work with us for some days, if you want to leave at any point and start a company, myself and my co-founder Elias will be the first checks in whatever you want to start, no questions asked.&

&And so we have done that for companies in Boston, companies in San Francisco, companies all over the place. And we continue to do that.&

For finding customers and employees, he turns to LinkedIn

Thanks to recruiter spam and &work anniversary& notifications, LinkedIn tends to be the butt of a lot of jokes — but Cancel says, used right, itstill quite valuable.

&We built a lot of marketing within LinkedIn, which I think is a place that I would advise people to go spend time on now. You can find your buyers, you can find the people that you recruit.&

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LabGenius, a London-based startup applying AI and &robotic automation& to protein drug discovery, has raised $10 million in Series A funding.

The round is led by Lux Capital and Obvious Ventures, with participation from Felicis Ventures, Inovia Capital, Air Street Capital and existing investors. Also investing is Recursion Pharmaceuticals& founder and CEO Chris Gibson, as well as Inovia Capital General Partner Patrick Pichette, who was formerly GoogleCFO.

Lux CapitalZavain Dar and Obvious Ventures& Nan Li will join the LabGenius board of directors. Notably, the U.K. companyearly investors include Nathan Benaich, Torsten Reil, EFMatt Clifford, and Philipp Moehring, to name just a few.

&LabGenius is a full-stack protein engineering company: we combine artificial intelligence (AI), robotic automation and synthetic biology to evolve next-generation protein therapeutics,& founder and CEO Dr. James Field tells me.

&My central thesis, the thing thatreally the driving force behind the company, is the conviction that we&re entering an age in which humans will no longer be the sole agents of innovation. Instead, new knowledge, technologies and sophisticated real-world products will be invented by smart robotic platforms called empirical computation engines. An empirical computation engine is an artificial system capable of recursively and intelligently searching a solution space.&

LabGenius& flagship technology is called &EVA,& which Field describes as a &machine learning-driven, robotic platform& capable of evolving new proteins. &As a smart robotic platform, EVA is capable of designing, conducting and critically learning from its own experiments,& he says.

The goal: to discover and develop new protein therapeutics that are currently hard for humans alone to find.

LabGenius 8485

&For decades, scientists, engineers and technologists have dreamt of building ‘robot scientists& capable of autonomously discovering new knowledge, technologies and sophisticated real-world products,& explains Field.

&For protein engineers, that dream has now entered the realm of possibility. The rapid pace of technological development across the fields of synthetic biology, robotic automation and ML has given us access to all the essential ingredients required to create a smart robotic platform capable of intelligently discovering novel therapeutic proteins.&

To that end, Field frames the development of EVA as a &long-term, ambitious undertaking& that he says will enable the startup to address previously unsolvable protein engineering challenges and in doing so, develop urgently needed therapeutics.

&My ultimate goal for LabGenius is to establish a fully integrated biopharmaceutical company powered by the worldmost advanced protein engineering platform,& he adds. &Quite honestly, this is a gargantuan undertaking and, while we&ve already established one of the worldmost technically sophisticated protein engineering operations, we&re only just scratching the surface of whatpossible.&

More broadly, there is a tension that many deep tech companies face, which is determining how best to develop technology thattightly aligned to real-world commercial needs (before running out of capital!). &For LabGenius, we&ve achieved this in a highly intentional way by undertaking a series of commercial projects of increasing complexity from the companyearliest days,& Field says.

One on-going project is with Tillotts Pharma AG to identify and develop new drug candidates for the treatment of inflammatory bowel disease (IBD).

&Our business model is pretty simple,& says the LabGenius founder. &We use EVA to discover and characterise new drug molecules and then partner with pharma companies who can take these molecules to market. For example in a typical partner-financed early discovery program, we&ll take a project from concept to early pre-clinical stage. Typical deal structures include a blend of R-D payments, milestones - royalties.&

Meanwhile, LabGenius will use the capital to scale its team, expand the scope of its discovery platform and initiate an &internal asset development program.& The next goal is to evolve novel antibody fragments capable of treating conditions that cannot be addressed using conventional antibody formats.

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Electric vehicle charging software EV Connect raises $12 million

EV Connect, the Los Angeles-based company that sells software to manage electric vehicle charging, has raised $12 million in a Series B round led by investors Mitsui - Co. and Ecosystem Integrity Fund.

The company has raised $25 million to date.

EV Connectcloud-based platform has an open standard architecture that is designed to be hardware agnostic. In other words, EV Connect aims to provide a variety of hardware vendors a way to monitor, manage and maintain charging stations.

The end goal is to push the industry away from a closed and fragmented system to a more open one, according to EV Connect CEO and founder Jordan Ramer.

EV Connect has a two-tiered approach. The company provides andmanages 1,000 electric vehicle charging sites through its EV Connect network. EV Connect has a smartphone app to give drivers of electric vehicles real-time access to charging station status.

Its also sells a cloud-based software platform that businesses can customize. Clients include Yahoo!, Marriott, Hilton, Western Digital, Los Angeles Metropolitan Transportation Authority and New York Power Authority.

As part of the round, Mitsui and EV Connect have agreed to develop new business models around EV charging infrastructure. EV Connect plans to work with Mitsui on various applications of EV charging to lower the cost of charging and maximize its utilization, including fleet and energy management solutions, Ramer elaborated to TechCrunch in an emailed response.

&We strongly believe that EV Connectinfrastructure management technology accelerates the electric vehicle revolution in the energy and power industry where Mitsui has many assets and access to partners,& Kazumasa Nakai, the COO of Mitsuiinfrastructure projects business unit, said in a statement. &Our unique engineering capabilities, in conjunction with EV Connectcloud-based EV infrastructure, will enable us to develop new business models to solve the challenges EV infrastructure currently pose for energy management companies.&

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The beauty of podcasting is that anyone can do it. Ita rare medium thatnearly as easy to make as it is to consume. And as such, no two people do it exactly the same way. There are a wealth of hardware and software solutions open to potential podcasters, so setups run the gamut fromNPRstudios to USB Skype rigs.

We&ve asked some of our favorite podcast hosts and producers to highlight their workflows — the equipment and software they use to get the job done. The list so far includes:

Broken RecordJustin RichmondCriminal/This Is LoveLauren SpohrerJeffrey Cranor of Welcome to Night ValeJesse Thorn of BullseyeBen Lindbergh of Effectively WildMy own podcast, RiYL

Screen Shot 2019 10 22 at 6.10.58 PM

This week, ita nice, in-depth workflow from Mary Phillips-Sandy and Lizzie Jacobs, the host and producer (respectively) of LetTalk About Cats. Now in its second season, the Acast network show sits down with artists, musicians and other creatives to, well, talk about their cats. Recent interviews include Spin Doctor Chris Barron and adult actress/writer, Stoya.

Episodes can be found on the official LetTalk About Cats website and purveyors of finer podcasts everywhere.

We record most of our episodes at our networkoffice in New York. They&ve set up a little recording room that Acast shows can use — itconvenient, and there are always cute dogs hanging around. No cats, though.

The Acast space has ElectroVoice RE20 microphones with windscreens on ElectroVoice 309A mounts. Love that warm, classic sound. Also, I (Mary) am self-conscious about my S&s, and these mics do a good job of controlling them. The headphones are Sony MDR-7506s. They&re… fine. Over-ear headphones always kind of suck for me because they squish my glasses. The headphones run through a PreSonus HP4 amp, which lets everyone set their levels exactly where they want them.

The studio board is a Zoom LiveTrak L-12 and the DAW is Hindenburg, which we only use for recording. Lizzie edits and mixes the show at home with ProTools and her beloved Sennheiser HD 380 pros. She has to be listening to a lot of Cats before her head hurts from the headphones. But she doesn&t wear glasses.

how we podcast zoom livetrak

We try to avoid remote interviews. The more we do the show, the more we&ve realized that it works best when the guest is here in person. We make fast transitions between segments, and one bit (the Cat Quiz) involves handing over a special prize, so getting that IRL reaction is important. (Lizzie cutting in here. Maryprizes are next-level. Itincredible what sheable to find on eBay, Etsy and I don&t even know where else. The show would not be what it is without them, or without Maryresearch skills. Every week she digs up something like a vintage perfume packaged with a cat figurine in a feather boa, or musical theater-themed cat stickers.)

When remote is the only option, we&ll do Skype with Ladiocast on the studio laptop. We also ask our guests to record locally with whatever prosumer or office studio gear they can get their hands on — anything to make their voices sound closer.

This may be obvious, but Dropbox is essential to our process. We have a shared folder with Acast where studio tracks get uploaded so Lizzie (or Virginia, who helps with production) can grab them. We also use it to share clips and images for social media. Speaking of which, we&ve been using Headliner to make captioned preview videos for Instagram and Twitter. Very convenient, highly recommend. We are not graphic designers, so we use Canva to make images for our social accounts and website, which we built on Squarespace, using one of our favorite podcastpromo codes for a discount.

Scripts, research, booking trackers, scheduling and everything else happens in Google Drive/Calendar, which we&d be lost without. In season one we worked with a human for transcription, but she went back to grad school, so now we use Otter. Itnot perfect, but itby far the best automated transcription tool we&ve found, and you can&t beat the price. I (Mary again) actually like taking some time to go through and correct transcripts, because ita good way to become (even more) aware of your verbal tics. By the fourth &of course,& you want to travel back in time and slap yourself.

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In latest $10B JEDI contract twist, Defense secretary recuses himself

The JEDI drama never stops. The $10 billion, decade-long cloud contract has produced a series of twists and turns since the project was announced in 2018. These include everything from court challenges to the president getting involved to accusations of bias and conflict of interest. It has had all this and more. Today, in the latest plot twist, the Secretary of Defense Mark Esper recused himself from the selection process because one of his kids works at a company that was involved earlier in the process.

Several reports name his son, Luke Esper, who has worked at IBM since February. The RFP closed in April and Esper is a Digital Strategy Consultant, according to his LinkedIn page (which is no longer available), but given the persistent controversy around this deal, his dad apparently wanted to remove even a hint of impropriety in the selection and review process.

Chief Pentagon Spokesperson Jonathan Rath Hoffman issued an official DoD Cloud update earlier today:

As you all know, soon after becoming Secretary of Defense in July, Secretary Esper initiated a review of the Departmentcloud computing plans and to the JEDI procurement program. As part of this review process he attended informational briefings to ensure he had a full understanding of the JEDI program and the universe of options available to DoD to meet its cloud computing needs. Although not legally required to, he has removed himself from participating in any decision making following the information meetings, due to his adult sonemployment with one of the original contract applicants. Out of an abundance of caution to avoid any concerns regarding his impartiality, Secretary Esper has delegated decision making concerning the JEDI Cloud program to Deputy Secretary Norquist. The JEDI procurement will continue to move to selection through the normal acquisition process run by career acquisition professionals.

Perhaps the biggest beef around this contract, which was supposed to be decided in August, has been the winner-take-all nature of the deal. Only one company will eventually walk away a winner, and there was a persistent belief in some quarters that the deal was designed specifically with Amazon in mind. Oracleco-CEO Safra Catz took that concern directly to the president in 2018.

The DoD has repeatedly denied there was any vendor in mind when it created the RFP, and internal Pentagon reviews, courts and a government watchdog agencyrepeatedly found the procurement process was fair, but the complaints continue. The president got involved in August when he named his then newly appointed defense secretary to look into the JEDI contract procurement process. Now Espers is withdrawing from leading that investigation, and it will be up to others, including his deputy secretary, to finally bring this project over the finish line.

Last April, the DoD named Microsoft and Amazon as the two finalists. Itworth pointing out that both are leaders in Infrastructure as a Service market share with around 16% and 33%, respectively.

Italso worth noting that while $10 billion feels like a lot of money, itspread out over a 10-year period with lots of possible out clauses built into the deal. To put this deal size into perspective, a September report from Synergy Research found that worldwide combined infrastructure and software service spending in the cloud had already reached $150 billion, a number that is only expected to continue to rise over the next several years as more companies and government agencies like the DoD move more of their workloads to the cloud.

For complete TechCrunch JEDI coverage, see the Pentagon JEDI Contract.

Much to Oraclechagrin, Pentagon names Microsoft and Amazon as $10B JEDI cloud contract finalists

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